New Yorker Covers Editor Fran?oise Mouly repositioned Art Spiegelman’s silhouettes, inspired by Ad Reinhardt’s black-on-black paintings, so that the north tower’s antenna breaks the “W” of the magazine’s logo. Spiegelman wanted to see the emptiness, and find the awful/awe-filled image of all that disappeared the on 9/11. The silhouetted Twin Towers were printed in a fifth, black ink, on a field of black made up of the standard four color printing inks. An overprinted clear varnish helps create the ghost images that linger, insisting on their presence through the blackness.